Dear White People: A Film for A New Black Aesthetic
A new film is in the works that could help to re-build the possibility of a new black aesthetic in the 21st century. Described as a "satire about being a black face in a very white place," "Dear White People" promises a complex and comical depiction of blackness.
Wednesday, June 13, 2012 at 05:42PM 
LaBossiere's exploration of art as concept reveals disquieting implications. If art (not just extreme conceptual art, but all art) gains its value to some degree from the value of its creator, then one must wonder what sort of inequality exists in the valuation of art. Would, for example, a Big Al Carter piece sell for more if Big Al had not been black and unrepresented by a gallery? Or, would it sell for less? When artists become petit-celebrities of a sort, does their art increase in value? Should it, particularly if the quality (however measured) has not? And, perhaps more importantly, how do our cultural biases play into the determination of value for pieces of art labeled "tribal" or "folk" art?